Gili Rahat is a performance artist, multidisciplinary creator, and facilitator based in Jerusalem. Her work is rooted in a stage language that blends physical theatre, movement, sculpture, singing, and object work. She studied at the School of Visual Theatre and the Practis program at Machol Shalem Dance House, where she also served as curator, program director, and artistic mentor. Gili was selected by the Czech Center in Tel Aviv for a curatorial trip to the Festival Czech Dance Platform.
How was your trip to Prague? Was it your first time there? What were your impressions?
My trip to Prague – and to the Czech Republic in general – was simply wonderful. It was my first time in the country, and I was completely enchanted. The beauty of the city left me speechless; I felt like I was walking through a fairytale – perhaps even through a few Jewish folktales. One of the most moving moments was when I visited the Jewish cemetery near the Žižkov Television Tower and the Jewish school, thanks to a Czech friend who had studied dance in Israel. Together, we also attended a Shabbat service in the Old New Synagogue – just below the attic of the Golem.
Prague struck me as a vibrant, lively city with a unique balance between refined, elegant venues and more intimate, underground spaces like PUNCTUM and ČÍTÁRNA UNIJAZZ. I loved the small theaters, the exotic cinemas, and the way nature seems to blend organically into the city. There was a healthy movement between softness and rough edges – like going from a fancy café to a the flea market. Tell us about the Czech Dance Platform. How did you enjoy it? Was there anything that particularly stood out?
The Czech Dance Platform reflected the same richness and diversity I experienced in the city itself. Over three intense days, I saw 11 performances that ranged from contemporary, experimental dance with circus-like elements to modern dance pieces with strikingly polished and impressive productions. The hospitality at the PONEC dance center was truly warm, and I was moved to hear about the center's journey and development over the years. I was especially touched by the support they provided to the Ukrainian dance community – organizing a dance conference for Ukrainian artists after the outbreak of the war. It showed a deep sense of solidarity and strong social awareness within the Czech dance scene. I was also very impressed by the dancers’ high level and the professionalism of the productions. Any final remarks you’d like to share?
After the festival, I had the chance to explore a bit of the countryside. I joined my Czech friend’s family for an end-of-winter celebration – completed with a big bonfire and grilled sausages! It was a beautiful experience to connect with local traditions in such a personal, human way. The nature, the castles, the charming small houses, and the overall warmth of the people all left a deep impression on me. I'm truly grateful for the opportunity to participate in the Czech Dance Platform and to discover such a rich and multi-layered artistic scene. I hope to continue the connection that was formed.
